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You can see your open images side by side for comparison, to drag layers from one to the other, or just to see all the images you have open without having to drag them around and resize them manually. This is done by choosing Window Arrange Tile Horizontally or Tile Vertically. Your other options in this submenu include Cascade, which stacks the open image windows with their title bars visible. You also can open a new window for the active image by choosing New Window for X, where X is the name of the active image. What about the Arrange Icons command in the same menu It takes all the icons for your minimized images (one title bar for each open, minimized image) and arranges them along the bottom of the workspace.

Fig. PI.8 from point A to point B. If the energy absorbed by the element is 120 J , determine the vo ltage across the element.

link. The user does not have to be physically moving to cause the change from one access point to another.

I solve this problem by naming the original file early in the process. Then any new file uses that name as a base. In my example above, the original scan file becomes mom1967.tif, the master file becomes mom1967_edited.psd, and the final file becomes mom_1967_8x10.jpg. This way, I know exactly what kind of file I m looking at just by looking at the name. After you ve established a naming methodology, you must address the second level of file organization: filing different kinds of files in the appropriate folders. Figure 5.6 shows how I organize my file folders. When I begin a new project, I create a folder for it. In this case, the parent folder is titled Family Scans. I place it inside of a folder called Photos that s used to store all my photo projects. I then create three subfolders: n Originals: For all original files. n Masters: For all master files. n Finals: For all final files. Sometimes, I break this folder into two subfolders titled Printing and Email so I can stay organized when I m sending e-mail versions to someone.

=HYPERLINK( mailto:ron@torconsulting.com , Balanced Scorecard Consulting ).

col, with the exception that the parity bit is used to force an even number of 1 bits, if necessary. Table 6-4 shows the impact of the parity bit on SIMM and DIMM modules.

Premiere s Windows . . . . . . . . . . . Manipulating Premiere s windows The Project window . . . . . . . . Timeline window . . . . . . . . . . Monitor window . . . . . . . . . . Audio Mixer window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 26 26 27 29 30

Proof: See, e.g., 1591.

= F,(s)

Color Channel: Allows you to select the Master color channel to change all colors or select the red, yellow, green, cyan, blue, or magenta color tones.

Before we go any further with Smart Filters, I need to explain what it is that makes them so smart.

With the Edit Font List dialog box, Dreamweaver gives you a point-and-click interface for building your font lists. After the Edit Font List dialog box is open, you can delete an existing font series, add a new one, or change the order of the list so your favorite ones are on top. Figure 7-17 shows the sections of the Edit Font List dialog box: the current font list, the available fonts on your system, and the chosen fonts. The chosen fonts are the individual fonts that you ve selected to be incorporated into a font series.